Harry Springer may compose, produce and perform all of Moon Walker's music in his bedroom, but the electrifying and uniquely eclectic sound undeniably feels more fitting for a stadium.

When Springer formed Moon Walker at the height of the COVID-19 Pandemic, he was merely looking for a way to pass time and make some extra money selling songs to music libraries. “I sold some, and it was going fine, but then I wrote some songs, and I was like, ‘I really don’t want to give these ones away." Those songs that Springer just couldn't part with ended up becoming his critically acclaimed debut record Truth to Power. Thanks to sudden viral success on TikTok and praise from the likes of The Darkness's Justin Hawkins, the 7-track album quickly established Moon Walker as one of rock's most promising acts. Less than a year later, Springer released with his sophomore effort The Attack of Mirrors with great fanfare and coverage, resulting in 25 million streams across platforms in 2022. In 2023, Moon Walker continued the hot streak; signing to a co-publishing deal with Warner Chappell Music and Limited-Edition Publishing, releasing his third album "Apocalypticism" on October 20th, and going out on his first tour playing shows across the country with sellouts in Chicago, Nashville, Denver, and Columbus.

The Thing With Feathers are an alt-rock, indie pop and dance powerhouse, fueled by three of Nashville’s favorite fools: David Welcsh (vocals), Alex Hendricks (lead guitar) and Chris Roussell (drums).

Molded through a two-year evolution from frat bro cover group to budding powerhouse boy band by Welcsh between 2016 and 2018, ever-changing members and inconsistent style hindered the bands early years. After an initial connection between Welcsh and Hendricks, the addition of Roussell followed in quick succession, cementing the bands lineup and bringing about their debut single, ‘Song of the Nightime’, in February 2019. 

The Feathers footing found solid ground soon after the modest success of their debut with ‘Figure It Out’, their sophomore single, released in May of 2019. The infectious hook and pop-sensitive rock sound helped the track amass over a million streams on Spotify since its release, quickly becoming a fan-favorite at live shows and proving a powerful catalyst in reaching an international audience. As the band continued to forge their distinct sound through their next several releases (‘Blue’, ‘What You Want’, and ‘Midwest Daydreams’) they also perfected their live sound and on-stage presence through various shows in Nashville, going out on a perfect high note with a sold-out show at the High Watt a mere three weeks prior to the initial pandemic lockdown. 

Through an unprecedented pause on live shows due to COVID-19, the boys continued to obsessively work on their studio sound, retreating to the studio where they’d write and record what would become their debut EP, Sundays in the South. Masterfully produced by Owen Lewis (Old Sea Brigade, Snow Patrol) and mixed by Dreaden, the career-defining release pushes the boundaries of pop-infused alternative rock to lengths not previously exhibited by their Nashville contemporaries.

2022 saw immense growth for the band, beginning with the release of Sundays in the South, followed by ‘Lights Down Low’ being added into rotation on MTVs Spankin’ New. The band was subsequently featured as an official artist at SXSW in Austin, TX, and they’ve toured continuously throughout the South and Midwest.

With the rollout of their sophomore EP, Waste My Revenge, and the release of their two latest singles, "Something Wrong" and "Ready to Burn", the Feathers have begun to see great success on Spotify, Apple Music, and YouTube, being added to several editorial playlists and garnering hundreds of thousands of views on their channel.

The band brings the kind of eccentric, electric energy capable of catapulting a garage band, initially built for taking over college towns, in front of both underground and mainstream audiences alike. The boys unpracticed, quirky swagger coupled with stellar musicianship has resulted in a catalog of equally introspective and uncomplicated tunes, dedicated to booty-shakers everywhere.

Welcsh sums it up best: “[Our music] is an invitation. It’s an empowerment, a call to something greater, a belief in something more, but most of all it is hope.”